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Criticizing Photography Challenge

1. Descriptive

This photograph of YoUDee stuffed animals available for purchase at the National 5 & 10 is descriptive because it is intended to show a potential customer how the stuffed animal looks before they buy it.

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2. Explanatory

This photograph by Harold Eugene Edgerton of a drop of milk suspended mid-air is explanatory, as the highly-innovative image had an underlying scientific purpose of showing precisely what a drop looks like at this point in time.

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3. Interpretive

My photograph is interpretive because I use a model in the image and give no clear meaning or context for the scene, leaving it up to the viewer’s interpretation.

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4. Aesthetically Evaluative

My photo of the stained glass windows in Trabant University Center is aesthetically evaluative because it highlights the beauty of the glass in closer detail.

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5. Ethically Evaluative

This photograph by Lauren Greenfield, whose work often explores wealth and society, is ethically evaluative, as it shows a young child surrounded surrounded by designer products and seems to call into question how people are exposed to materialism from a young age.

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6. Theoretical

My photograph of this street at night is theoretical because, by using a longer shutter speed, I’m approaching the medium in a way that explores non-standard uses and possibilities for photography.

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Martin Parr is a documentary photographer from the United Kingdom. While the overarching themes of his works varies substantially, Parr’s primary subject is people in everyday contexts, with a specific focus throughout his career on social themes of wealth, materialism, consumerism, and the like. While Parr has photographed in black and white, he is perhaps most famous for his color photography. Often times the colors of these photographs are unnaturally saturated, imbuing his subtle social commentary with an almost comical tone. 

 

When I first saw some of Parr’s work, I was immediately struck by his distinct style and one-of-a-kind approach to his incredibly varied subject matter. While I’ve always enjoyed people-focused photography, before doing this project on Parr, I can’t say I’ve ever seen any photography like it – it’s both artistic and message-oriented. To me, Parr’s work somehow manages to be equal parts unnatural and organic, often offering tongue in cheek commentary about society in capturing the more whimsical aspects of our daily lives. Yet I don’t find his work to be “malicious” in the messages it conveys. It’s not critical so much as observant, and I’m impressed by Parr’s ability to find beauty in any context.

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Sources

https://www.magnumphotos.com/arts-culture/society-arts-culture/martin-parr-the-last-resort/

https://huxleyparlour.com/critical-texts/livesofartistswith-martin-parr/

https://huxleyparlour.com/artists/martin-parr/

https://www.magnumphotos.com/arts-culture/society-arts-culture/martin-parr-only-human/

https://huxleyparlour.com/critical-texts/martin-parrs-the-cost-of-living/

https://www.manifoldeditions.com/martin-parr/kentucky-derby-louisville-usa-2015/

https://jamesmaherphotography.com/historical-photography-articles/history-photography-martin-parr/

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